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Markets move against the
trend of one greater degree only with a seeming struggle.
Resistance from the larger trend appears to prevent a correction
from developing a full motive structure. This struggle between
the two oppositely trending degrees generally makes corrective
waves less clearly identifiable than motive waves, which always
flow with comparative ease in the direction of the one larger
trend. As another result of this conflict between trends,
corrective waves are quite a bit more varied than motive waves.
Further, they occasionally increase or decrease in complexity as
they unfold so that what are technically subwaves of the same
degree can by their complexity or time length appear to be of
different degree. For all these reasons, it can be difficult at
times to fit corrective waves into recognizable patterns until
they are completed and behind us. As the terminations of
corrective waves are less predictable than those for motive
waves, the Elliott analyst must exercise more caution in his
analysis when the market is in a meandering corrective mood than
when prices are in a persistently motive trend.
The single most important rule
that can be gleaned from a study of the various corrective
patterns is that corrections are never fives. Only motive
waves are fives. For this reason, an initial five-wave movement
against the larger trend is never the end of a correction, only
part of it. The figures that follow through Lesson 9 of this
course should serve to illustrate this point.
Corrective processes come in two
styles. Sharp corrections angle steeply against the
larger trend. Sideways corrections, while always
producing a net retracement of the preceding wave, typically
contain a movement that carries back to or beyond its starting
level, thus producing an overall sideways appearance. The
discussion of the guideline of alternation in Lesson 10 will
explain the reason for noting these two styles.
Specific corrective patterns fall
into four main categories:
Zigzags (5-3-5; includes
three types: single, double, and triple);
Flats (3-3-5; includes
three types: regular, expanded, and running);
Triangles (3-3-3-3-3; four
types: three of the contracting variety (ascending, descending,
and symmetrical) and one of the expanding variety (reverse
symmetrical);
Double threes and triple
threes (combined structures). |